Tiny Movies / The Art of a Music Video

I remember
We were walking up to strawberry swing
I can’t wait ’til the morning
Wouldn’t wanna change a thing

People moving all the time
Inside a perfectly straight line
Don’t you wanna curve away
It’s such
It’s such a perfect day

It’s such a perfect day

Now the sky could be blue
I don’t mind
Without you it’s a waste of time…

 


 

I forgot how much I enjoy watching good music videos. The kind that’s almost an art unto itself.

It’s not easy to make a good one (I reckon). You’re trying to tell a complicated story in a little more than 3 minutes and most of the time, people don’t have very much to say. But on the rare occasion where one does get it right, even a mediocre song can be elevated to something great. The music videos become tiny movies where the song evolves into the soundtrack of a little piece of film. Two elements sharing a dance on an empty stage.

Anyway, here’s a list of some of my favourites. I’m afraid they’re quite predictable. Most of them have some form of dancing, stop-motion, single shot takes, brilliant colours or just silly, romantic things…

 

Falling Water – Maggie Rogers

They say all Maggie Rogers videos are sort of the same (take a look at the Alaska or On + Off music videos) and while I agree, I just love the way she dances in this one. Half-possessed, half in total control. Hypnotising.

 

Carried Away – Passion Pit

Relatable. Also, Michael Angelakos and Sophia Bush make a cute couple.

 

Someone That Loves You – Honne

Love the direction and cinematography of this video and how it portrays night-time Tokyo, a city of pink and yellow neon, breathing new life into the tired storyline of a one-night encounter with a beautiful stranger. And the scene of the sakura billowing around the male lead at the end is just breathtaking.

 

Lost Things – A Fine Frenzy

Did I mention how much I love stop-motion?

 

Why Do You Let Me Stay Here – She & Him

Zooey Deschanel and Joseph Gordon-Levitt may be the biggest friendzone of the 21st century, but they do a mean 60s-inspired look and dance together.

 

Friends – Francis & The Lights feat. Bon Iver

Before I started listening to Francis & The Lights, a friend of mine told me that he had caught their live show and had never seen a more enigmatic and compelling artist in his life. He couldn’t be more right. I also never thought I’d live to see the day where Justin Vernon (Bon Iver) agrees to be in a synchronised dance with another grown man while singing a song about friendship. The bromance is strong in this one.

 

It Hurts! – Bad Bad Hats

Two and a half minutes of juvenility. A necessary thing.

 

Chateau – Angus & Julia Stone

Ever since watching Sofia Coppola’s Somewhere some years back, the Chateau Marmont has become an old and untouchable relic in my mind, shrouded in mystery and other dark things. While the cinematography and chemistry between the leads are lovely, I think I just dig this song a whole lot.

 

Dark Blue – Jack’s Mannequin

… And here’s a classic to round things off in style.

It Hurts!

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(currently listening)

  1. Way It Goes – Hippo Campus
  2. Super America – Bad Bad Hats
  3. Love That’s Gone – La Sera
  4. Brooklyn – Fickle Friends
  5. Jennifer – Little Comets
  6. Away from Today – Dan Croll
  7. Talk Too Much – COIN
  8. Drive It Like You Stole It – Sing Street
  9. Wait Up – Roosevelt
  10. Not A One – The Young Wild
  11. Until We Get There – Lucius
  12. Musicians – Gold Motel

Lo-Fi

(adj.) Short for lo-fidelity. The production or reproduction of audio characterised by an unpolished or rough sound quality. First known usage: 1957.


Once, I hitched a ride with an older couple from Malaysia to Singapore after a weekend church retreat & we got stuck at the causeway for a couple of hours. That was when the husband said that we should all take turns to play some songs off our own devices because all the radio waves were still staticky & it would be interesting to know each other’s music tastes & so I plugged in my phone & played them a few tracks off Gold Motel’s Brand New Kind of Blue record. I thought they would like the songs because they were bright & nostalgic & summer-y but then when I asked what they thought, the husband turned around & said, they’re alright I guess, but they’re a bit juvenile, don’t you think?

Oof. Well, I suppose they are:

“Forget it all, it’s just a sun-drenched dream
I bet you make a good memory
I’ll come back soon, when you least assume
Oh, Santa Cruz”

(Santa Cruz – Gold Motel)

“Pluck a heart-string, duck for cover
Hear the phone ring, start to stutter
He wants to know why I sit & sigh so
I yelled your name like a secret out the window
Oh, the night is so young
It hurts!” 

(It Hurts – Bad Bad Hats)

The thing is, I would like to write a lo-fi, “juvenile” love song but I just don’t know how. I think it’s one of the hardest things to write. I did a gig last Saturday with some friends & while it was fun to play Quiet Man & Santorini & Waves, the artists before & after us all had their fair share of juvenile love songs about high school crushes / cheesy declarations of love / bad break ups & I just realised that I didn’t have anything like that in my song repertoire. Just songs about cities or fictional creatures. Hmmm.

I suppose that artists like Gold Motel & Bad Bad Hats appeal to me because the songs they write always seem raw & tender & almost Bukowskian in all their juvenility. No frills or poetic anguish to hide behind. Sometimes that summer road trip really feels extraordinary & transcendent, or that break up just plain sucks. Sometimes, the best way to describe what you’re feeling is to write a two-minute, two-chord song, & shout: It Hurts!